| Copper Keels: | | | | The supposed worship of the Sun in many ancient |
| Nature provides varying resources in different parts | | | | cultures was also a worship of the 'Son' of God |
| of the world. In Ireland the use of leather in | | | | which we all can actualize. Thomas Huxley argued the |
| boat-building made sense. Leather craft going | | | | position of science well in his confrontations with the |
| underwater led to glass or other submersibles to | | | | churchian Wilberforce and I admire the Huxley clan. In |
| reach sunken ships in the time of Alexander and the | | | | many ways Aldous Huxley was a groundbreaking |
| designs some people think are alien craft on the | | | | observer of real science rather than the Kuhn |
| Lascaux Caves are most likely leather submersibles. | | | | constructs Fuller prefers anarchy over. I love to read |
| The hardwoods of Central and South America | | | | how Aldous was excited to get the first hand |
| allowed for some truly fantastic big ships to be | | | | accounts of Joseph Campbell walking on the healing |
| hollowed out of very large trees. Ironwood is heavier | | | | fire of the Japanese shamanistic Shinto priests. There |
| than concrete and it is even possible that they used | | | | are many Eranos attendees like Jung and Campbell |
| concrete on ship hulls or to build ships with the | | | | who are excellent scholars and well respected |
| geopolymerized technology that Pliny reports, and | | | | authors including Eliade and Daisetz Suzuki. |
| scholars did not understand, so the scholars failed to | | | | "I remember Aldous Huxley talking to me through a |
| properly translate his writing. If 9,000 years ago the | | | | long evening, and his white hands held into the fire, |
| people of the Aleutians and the copper route were | | | | saying, 'This is what transforms. These are the |
| able to use ivory bearings in two or four man crafts | | | | legends that show it. Above all, the legend that the |
| that cut a catamaran type wake which Scientific | | | | Phoenix is reborn in the fire, and lives over and over |
| American says exceeds our present technology, then | | | | again in generation after generation.' Fire is the image |
| you can imagine almost anything. | | | | of youth and blood, the symbolic colour is the ruby |
| The use of copper sheeting on hulls and keels | | | | and cinnabar {From which the alchemist got |
| extended the life of wooden crafts in warm waters | | | | Mercury.}, and in ochre and hematite with which men |
| where boring beetles destroy any wooden craft. This | | | | paint themselves ceremonially." (14) |
| allowed the Phoenicians or those who built ships that | | | | But was it just ceremonial? No! Hematite is still |
| could travel the whole world a great advantage. | | | | important to the art of crystal therapy. It is naturally |
| They also had above deck windlass type technology | | | | able to generate energy in tune with the Earth |
| to keep planked hulls intact during storms. These two | | | | Energy Grid that we all are impacted by even though |
| things made larger ships more durable and feasible. | | | | we can't see it. Ochre is found on the bones of the |
| The Murrhine vases for turning salt water potable | | | | far older modern human (by at least 20,000 years) |
| would have been a huge advantage. It is not lost on | | | | called the Mungo Man. It may actually be cinnabar but |
| me that the very name of these vases includes the | | | | archaeologists are not alchemists and usually don't |
| name Mu just as Troy's real name does. | | | | believe in the Philosopher's Stone which required |
| RED OCHRE: | | | | cinnabar. |